Wednesday, April 30, 2014

Tuesday, April 29, 2014

It's quite the week for casts of huge sci-fi sequels sitting round tables in London




Sunday, April 27 - Avengers: Age Of Ultron





Tuesday, April 29 - Star Wars: Episode VII



If the cast of Jurassic World are reading, I've just bought a very nice vintage table with fold-out leaves which could comfortably seat six, seven at a push. Bryce Dallas Howard might have to sit on a patio chair from the shed. I'm busy tonight but Thursday's looking good?

Crispin Glover's UK tour is as mad as eggs and you should definitely see it



Last Friday found me at London's deeply sensual Hackney Picturehouse for the opening night of the UK tour of Crispin Glover: actor, director, writer and artist who - whether he likes it or not - will forever be connected to the role of George McFly in Back To The Future. While that role is undeniably magnificently written and portrayed, Glover has a remarkable body of other work behind him,

Thursday, April 24, 2014

In Your Eyes and on your internets:Joss Whedon's missed opportunity

Joss Whedon recently took forty precious seconds out from filming Avengers: Age Of Ultron to record an introduction to one of his smaller projects, "metaphysical romance" In Your Eyes, for the Tribeca Film Festival. At the same time that the film premiered in New York, he announced, internet boffins were opening its e-cage and releasing it into the digital wild via Vimeo, allowing any old numpty

Sunday, April 20, 2014

Your handy guide to the Seven Samurai



Akira Kurosawa's quite marvellous Seven Samurai is out on Blu-ray this week courtesy of those sexually devastating BFI types, and it's one of those films that not enough people have seen even though they know they really should. I suspect what's holding many people back is the fear of not being able to follow which of the titular septet of samurai is which, what with them all being Japanese and

Thursday, April 17, 2014

Blog post #2 of hundreds about The Rover



I'm generally loath to do marketing companies' work for them, but in the case of David Animal Kingdom Michôd's The Rover I'll make an exception. This is the film I'm most excited about this year (although let's be honest, X-Men: Days Of Future Past looks immense), so I'm duty-bound to ensure that every single person who reads this blog knows about it in the hope that both of you will go and see

Wednesday, April 16, 2014

Locke



Sadly not an entire feature film about Lost's greatest character, Locke is in fact a fantastic slice of claustrocore with Tom Hardy in a chunky-knit sweater. I wrote some words about it for The Shiznit when it was on at the London Film Festival; why not read them? Then you'll know how good it is and want to go and see it.

Tuesday, April 15, 2014

Abandoned idea #216



I'm sure I had a point to make when I started this, but by the time I'd finished I had no idea what it was. Sorry.

Thursday, April 10, 2014

The Amazing Spider-Man 2:Electro Boogaloo



It seems important these days to preface any discussion of a given film by outlining your feelings about that film's prequels or previous incarnations (in various media), just so that people know whether you're on their wavelength or talking out of your shitpipe. So, for the record, here are my qualifications for having an opinion on The Amazing Spider-Man 2; you can decide for yourself whether

Tuesday, April 8, 2014

Happy 22nd birthday Empire magazine!



Astute readers of monthly movie waffle merchants Empire magazine cannot fail to have noticed that this year it celebrates 25 years of active service. Like a lady made of paper and words, Empire has been menstruating film chat every month for quarter of a century, and its menopause is, thankfully, nowhere in sight. Long may it continue to discharge the blood and mucosal tissue of its smart and

Wednesday, April 2, 2014

Noah



Batten down the hatches, there's a storm a-comin': a storm of absolute batshit mentalism from which even the sturdiest umbrella won't protect you. You may as well just pop your Speedos on now and prepare to drown in the boundless biblical bonkersness of Darren Aronofsky's Noah, a film which - while no more crackers than its source material - is simultaneously completely wonderful and utter